PHYSICAL The stage is a physical domain; the actor, like the athlete, responding to its possibilities with a spatial and sensual expressivity that reveals new relations of sound, gesture and voice.

PLASTIC Theater generates its own visceral language through the plastic materialization of ideas. Its inherent power is to use its visual and aural palette not simply to represent thought, but to provoke it.

 

Our director-composer alliance is founded upon theater’s inherent capacity to make immanent issues of universal concern. In response to racial and economic segregation, and rising tendencies of nationalism, we make a conscious effort towards international collaboration and a breadth of cultural perspectives, so as to better shed light upon issues both at home and abroad, and confront cultural differences directly, as part of our creative process. We are particularly interested in creating exchange opportunities between the US and Cyprus, a country at the crossroads of Middle-Eastern, Mediterranean and Western cultures, and crisis-ridden Greece, where Europe’s social, economic and political foundations have been undergoing unprecedented challenges.

 

KESTREL FARIN LEAH (Director, Performer)

Kestrel Leah (UK) is an actor and director working internationally across stage and screen. She completed her Masters in Acting at California Institute of the Arts, where she was awarded the Provost's Interdisciplinary Grant as well as Dean's and President's funds to support her interdisciplinary endeavors and study of Suzuki technique. She has trained at Suzuki Company of Toga, Japan, and now trains in the method of Theodoros Terzopoulos of Attis Theatre in Athens, Greece. She is co-founder of LA-based theater project PHYSICAL PLASTIC with composer Yiannis Christofides (Cyprus) and the author of actorbody.com where she shares performance theory and insights. Notable roles include Venable in Suddenly Last Summer directed by Kameron Steele of Suzuki company; a cross-gender Jean Genet in Maureen Huskey's A Splendid Death; and Jo in A Taste of Honey directed by Kim Rubinstein. She is also a regular collaborator with WaxFactory theater company. Dance/choreography credits include collaborations with Parisian artists Julie Bena and Duchamp Prize winner Julien Previeux (Leah was a primary collaborator on the awarded work What Shall We Do Next). As a director, Leah often collaborates across music, film, dance and visual art, and she has shown work at venues such as Human Resources (LA), The Garage (San Francisco) and The Vail International Film Festival. In 2017, she will be in residency at Robert Wilson's Watermill Center. In previous years, she has worked as a producer and curator for the Boulder International Fringe Festival and the Vail International Film Festival.

www.kestrelleah.com

www.actorbody.com

 

YIANNIS CHRISTOFIDES (Composer, Sound Designer)

Yiannis Christofides (b. 1985, Cyprus) is a soundscape composer, creative sound designer and field recordist based in Los Angeles. Combining an interdisciplinary artistic, theoretical and technical background in electronic art music, sound design, cultural studies and communication, and professional experience in collaborative projects across a broad range of genres and creative disciplines, Yiannis specializes in the creation of sonic experiences for stage and media. Much of his personal work investigates our experience of place through the use of field recordings as principal material. His particular interest in field recording is in relation to the contextual aspects of sound and the intersensory experience that it affords.

His work for art installations, stage and performance pieces, media, and curatorial projects has been presented at leading venues and institutions throughout Europe and the Americas including the Athens & Epidaurus Festival 2016, the New York City Electroacoustic Music Festival 2016 | Abrons Arts Center, New York (US), 3LD Art & Technology Center, New York (US), La Triennale di Milano | La Fabbrica del Vapore, Milan (IT), Ecos Urbanos Festival | Fonoteca Nacional de México, Mexico City (MX), Irondale Center, Brooklyn (US), The Invisible Dog Art Center, Brooklyn (US), Point Centre for Contemporary Art, Nicosia (CY), Internationales Klangkunstfest Berlin 2014 (DE), the wulf., Los Angeles (US), Circuit Bridges | Gallery MC, New York (US), The Royal Dockyard Church, Kent (UK), Metamatic: The Art Foundation, Athens (GR), The Ethnological Museum, Nicosia (CY), Queen Elizabeth Hall, Southbank Centre, London (UK), Los Angeles Contemporary Exhibitions (L A C E), Los Angeles (US), Nicosia Municipal Arts Centre (NiMAC), Nicosia (CY), Southwark Playhouse Theatre, London (UK), ARTos Cultural and Research Foundation, Nicosia (CY), the Kulturbrauerei, Berlin (DE), Cultural Centre "St. John Theologian", Stockholm (SE), among others.

www.yiannischristofides.com